THE PRAYING HANDS
Back in the fifteenth century, in a tiny village near Nuremberg, there
lived a family with eighteen children. Eighteen!
In order to keep food on the table for this lot, the father -- a goldsmith
by profession, worked almost eighteen hours a day at his trade and any
other paying chore he could find in the neighborhood.
Despite their seemingly hopeless condition, two of the elder Albrecht
Durer's children had an ambition. They both wanted to pursue their talent
for art, but they knew fully well that their father would never be
financially capable of sending either of them to Nuremberg to study at the
academy.
After many long discussions at night in their crowded bed, the two boys
finally worked out a pact. They would toss a coin. The loser would go down
into the nearby mines, and with his earnings, support his brother while
he attended the academy. Then, when that brother who won the toss completed
his four-year study, he would support the other brother at the academy
either with sales of his artwork or, if necessary, by laboring in the mines.
They tossed a coin on a Sunday morning after church. Albrecht Durer won
the toss and thus went off to Nuremberg. Albert, his brother, went down into
the dangerous mines and, for the next four years, provided finances for
Albrecht.
Albrecht was an immediate sensation. His etchings, woodcuts, and oils were
far better than those of most of his professors, and by the time he
graduated, he was beginning to earn considerable fees for his commissioned
works.
When the young artist returned to his village, the Durer family held a
festive dinner in their humble yard to celebrate Albrecht's triumphant
homecoming. After a long and memorable meal, garnished with music and
laughter, Albrecht rose from his honored position at the head of the table
to drink a toast to his beloved brother for the years of sacrifice that had
enabled Albrecht to fulfill his ambition. His closing words were, "And now,
to Albert, blessed brother of mine... it is your turn. Now you can go to
Nuremberg to pursue your dream, and I will take care of your needs."
All heads turned in eager expectation to the far end of the table...But
there Albert sat, tears streaming down his pale face, gently shaking his
lowered head while he sobbed and repeated, over and over, "No..."
Slowly Albert rose and wiped the tears from his cheeks. He glanced down the
long table at the faces he love... and he lifted his hands for everyone to
see... And softly he said, "No, Albrecht. I cannot go to Nuremberg. It is
too late... Look... Look what four years in the mines have done to my
hands...The bones in every finger have been smashed at least once, and now
I suffer from arthritis so badly that I cannot even hold a glass to return
your toast... much less draw delicate lines on parchment with a pen or a
brush. My dear brother ... for me it is too late."
More than 450 years later, Albrecht Durer's hundreds of masterful portraits,
pen and silver-point sketches, watercolors, charcoals, woodcuts, and copper
engravings hang in every great museum in the world. But the odds are great
that you --like most people, are familiar with only one of Albrecht Durer's
works. More than just being familiar, you may even have a reproduction
hanging in your home or office.
To pay homage to Albert for all his sacrifices, Albrecht Durer drew his
brother Albert's labored hands with palms together and thin fingers
stretched skyward. He called his powerful drawing simply "Hands," but the
world opened their hearts to his great masterpiece and renamed this tribute
of love, "The Praying Hands."
If you happen to chance upon a copy of that touching creation, take a
second look. Let it remind us of all brotherly love, of our parents and family,
and the sacrifices and support that people have extended for us... All the
things that we have achieved and would still achieve are not entirely our
own sole doing.
Remember this, for so often we forget the people who love us most are the
ones whom we carelessly forget and hurt.